long overdue Drone session, Crediton
Last night. Another highly enjoyable session at the Rainbow.
John's sitar, and a Goddess(?) image found on the wall
Henry - percussion
Rupert - percussion
John - sitar, bouzouki, acoustic guitar, electric 6 and 12-string guitars, electric fretless bass guitar, voice
Vaughan - acoustic guitar, electric 6-string guitar, electric fretless bass guitar, voice
me - saz, balalaika, percussion
Keith - electric 12-string guitar, electric fretless bass guitar
Celeste - voice and percussion
This was the first time Celeste had sung with us. John brought his sitar for the first time in quite a while. I can't remember how long it's been since Keith played fretless - wonderful - Vaughan and John gave it a try, too. Rupert was trying out a curious percussion instrument which I think was a Cuíca - Airto Moreira played one of these with Miles Davis at the Isle of Wight Festival. Vaughan described it as "a monkey in a tin". The last piece was another one where we agreed an exact time - 10:35 - on the prominent clock in the room to end the piece. This caused it to come crashing to a sudden, rather clumsy end. Very entertaining to do (the recording ends in laughter of course), but I've editted it out due to general lack of musical worth...
Listen Here
John's sitar, and a Goddess(?) image found on the wall
Henry - percussion
Rupert - percussion
John - sitar, bouzouki, acoustic guitar, electric 6 and 12-string guitars, electric fretless bass guitar, voice
Vaughan - acoustic guitar, electric 6-string guitar, electric fretless bass guitar, voice
me - saz, balalaika, percussion
Keith - electric 12-string guitar, electric fretless bass guitar
Celeste - voice and percussion
This was the first time Celeste had sung with us. John brought his sitar for the first time in quite a while. I can't remember how long it's been since Keith played fretless - wonderful - Vaughan and John gave it a try, too. Rupert was trying out a curious percussion instrument which I think was a Cuíca - Airto Moreira played one of these with Miles Davis at the Isle of Wight Festival. Vaughan described it as "a monkey in a tin". The last piece was another one where we agreed an exact time - 10:35 - on the prominent clock in the room to end the piece. This caused it to come crashing to a sudden, rather clumsy end. Very entertaining to do (the recording ends in laughter of course), but I've editted it out due to general lack of musical worth...
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